Download The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods

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The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods

Download The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods

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About the Author

Linda L. Putnam is a Research Professor in the Department of Communication at the University of California, Santa Barbara. Her current research interests include discourse analysis in organizations, negotiation and organizational conflict, and gender. She is the co-editor of twelve books, including The SAGE Handbook of Organizational Communication (2014), Building Theories of Organization: The Constitutive Role of Communication (2009) and the author/co-author of over 180 journal articles and book chapters. She is a Distinguished Scholar of the National Communication Association, a Fellow of the International Communication Association, and a recipient of the Distinguished Service Award from the Academy of Management.Â

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Product details

Hardcover: 848 pages

Publisher: SAGE Publications, Inc; Third edition (November 4, 2013)

Language: English

ISBN-10: 1412987725

ISBN-13: 978-1412987721

Product Dimensions:

7.2 x 1.5 x 10 inches

Shipping Weight: 2.9 pounds (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#575,552 in Books (See Top 100 in Books)

Glad to have my copy in hand. A must-read for people who want to know the foundations of academic research on organizational communication.

Overall, I think this new version of the handbook is very well thought out. I do have a few problems with some of the directions the content took. As I am an Org Comm social scientist, I'm amazed at how much of the book is now specifically geared towards interpretive and critical understandings of organizational communication. The most recent analysis of the research in Org Comm still demonstrated that quantitative research accounted for more than 50% of the content published within the field. However, this book is clearly not representative of the actual state of Org Comm today. Personally, I think the editor's skewed the book (probably unconsciously) in a single direction that isn't truly representative of the field today.

great experience!

Who is this book for? Scholars who have been in this field for years, I think. Yet, this book is used in my graduate introductory to org comm course and it could not be a more painful experience. The field as a whole is pretty painful, actually, but I'll restrict my comments to this book. As a phd student in rhetoric and professional communication, I have been continuously baffled by the inchoate jargon each chapter's author brings to their subject matter. Sometimes the language is so dense that I spot typos the editors didn't catch after four editions (a petulant example that I have on hand is that Schumate and Contractor confuse the words “mode” and “node” because they refused to simply say “actor” or “agent,” which are clearly interdisciplinary synonyms, thus forcing the typo “Affiliation networks are two-mode networks” when they meant two-node, p. 452). In a chapter on structuration theory, the author even admits that one method is so confusing that he can't even describe it. Excellent—a useful handbook, indeed. Now, I know the counterarguments to this critique: learn the field, understand the discourse, and you'll "get it"—translation, I'm just ignorant and nubile. Understood. But I am neither ignorant nor nubile in my education about the tangential fields that inform org comm, such as linguistics, rhetoric, business, philosophy, psychology, and more; I am primed to graft org comm theory onto my bases of knowledge. The authors, though, make no attempt to translate their terminology to educated but content-ignorant readers: e.g., early chapters use terms that are elucidated by later chapters, but the later chapters are elucidated by terms in the earlier chapters, and so on. My argument is that this book is only meant for people who already know the field, but then, why would you need this book if you already know the field?Finally, the amount of scholastic incest is incredible: most chapters are gloriously self-indulgent and I now play a game of counting up how many self-citations each author fits into a single bibliography. Some authors even cite earlier editions of their work in this handbook... Again, like the counterarguments academics have prepared for not understanding discourse-specific jargon, I know why authors cite themselves from time to time. But, why 22 times in a single chapter, chapter after chapter? My point is that the gratuity of the self-citations reflects on the "constitutive construction" of this field's identity as unapologetically insular and abstruse.This field isn't rocket science. It's communication theory. We critique scientists and engineers for not making their work accessible, yet do the same thing ourselves. The irony of a field dedicated to communication not being able to communicate their ideas should not be lost on the authors, and, as I'm sure there will be a needless 5th edition of this book, I hope that the authors can do the necessary work of translating their ideas to a broader audience of academics who want to use their concepts in practice.

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The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods PDF

The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods PDF

The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods PDF

The SAGE Handbook of Organizational Communication: Advances in Theory, Research, and Methods PDF

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Get Free Ebook On Writing: A Memoir Of The Craft (10th Anniversary Edition) (Turtleback School & Library Binding Edition)

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Review

"The best book on writing. Ever."--"The Plain Dealer" (Cleveland)"A one-of-a-kind classic."--"The Wall Street Journal"""On Writing" had more useful and observant things to say about the craft than any book since Strunk and White's "The Elements of Style"."--Roger Ebert"This is a special book, animated by a unique intelligence, and filled with useful truth."--Michael Chabon

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Product details

Library Binding: 288 pages

Publisher: Turtleback Books; Bound for Schools & Libraries ed. edition (July 6, 2010)

Language: English

ISBN-10: 0606231862

ISBN-13: 978-0606231862

Product Dimensions:

5.4 x 1 x 8.2 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

29,440 customer reviews

Amazon Best Sellers Rank:

#2,196,326 in Books (See Top 100 in Books)

I enjoyed this book thoroughly, and took my time reading it. I could "hear" Mr. King's "voice" in my head as I read this on my iPad Kindle app. I felt like I was reading something from a friend---as if he had written a personal letter to me--- to give me an understanding of what he went through to become the person he is today. I think that his directives about the "how-to's" and "don't do's" were very practical. I breathed a sigh of relief when I got the feeling that writing classes and clubs are kind of a waste of time. Just write, is what I think he was telling me, I mean, his audience. I will probably read it again. What I got from his personal, real-life-lessons is this: Read a lot. Read good stuff. Write all the time. Find a place and write. Don't share your stuff unless you share it with someone you can trust. Go with your gut. Write all the time (I said that already because he said it or inferred it frequently). Don't use the same adjective over and over. Stick to the point. Don't over-do it on the descriptions. Let your audience see the movie you see in your head, because if you write it well, they will. I am glad this wasn't a "point by point HOW TO WRITE a story or a book" book, because really, writing isn't something you can do easily from a bulleted list. Writing is something you do from your heart, and you keep doing it until it's right and good. And then when that person you trust reads your stuff and offers some criticism, you can take it for what it's worth and use it or not.

I purchased this book because the description stated that it contained all 4 books including Rage. What a disappointment to receive the book and open it to find that it includes only 3 of the 4 books... no Rage! If you are looking to complete your stephen king collection, avoid this copy! Incredibly frustrated buyer!

The main reason I bought this book was that the description said that it included the story "Rage". I was dying to read that, and the other three stories would be a bonus. Well, what a major disappointment to receive the book and find that "Rage" is not included. There are three stories, not four, and I will be returning this book due to false advertising. Very, very disappointed.

Some books I rate with 5 stars just because of my pleasure in the story. These aren't always well-written or creative, or something someone else would like. Then there are those books that are so well-crafted, not just with character development or storytelling but in the writing itself. This is one of those books. I've always given Stephen King credit as the "king of the flashback" and here he gives us some of what he does best, but he also shows again his ability to get inside the head of the character in the present. From making up lyrics to songs sung by a fictional boy band and the brand names of fictional ice cream treats, to details of a Midwestern city that make those of us living in Midwestern cities think ours is the one in the story. I wondered in the beginning of the book if King was making a game in paying homage to himself with hints he dropped to reference some of his previous best sellers, but he played this game for just a short while. There are plenty of other pop-culture references in the minds of the various characters that do well to establish their ages and backgrounds.As the story unwinds after the climactic events, my emotions surprised me. I've cried while reading books before, but not while reading the words of a bureaucratic proclamation!

I have been an on-again, off-again reader of Stephen King’s over the last decade or so (I was more loyal prior to that time) as sometimes I like his stuff and sometimes I don’t. The last one I read was the awful "Under the Dome," which was long, pointless and ultimately just silly, and I wasn’t thinking of reading anything else by him until I read a couple of reviews by Charles de Lint in a recent Magazine of Fantasy and Science Fiction. I trust Mr. de Lint’s tastes, so when he praised "Mr. Mercedes" and its follow-up, I figured I’d give them a try. Mr. Mercedes is the nickname given to a man who stole a car (guess what make) and plowed into a group of job seekers standing outside a building waiting for a job fair, killing 8 and wounding many others. Recently retired cop Bill Hodges has been drifting since his retirement, regretting that he didn’t catch certain bad guys, including Mr. Mercedes, but when he receives a letter purporting to be from the villain, instead of succumbing to depression as the writer intended, he begins to investigate. And, of course, the investigation just becomes more and more dangerous as he continues to delve into the mystery…. The reader knows who the culprit is from early on in the book, so the appeal is following the cat-and-mouse hunt as the suspense builds. King is as good as he ever was with respect to his characters and plotting, and he’s always great with the gross-out scenes (which here are not too many, thankfully). This turns out to be the first book in a trilogy, and I’ve already picked up the second, "Finder’s Keepers," with the third due out in mid-2016. Fast-paced popcorn reading, "Mr. Mercedes" just hits the spot; recommended!

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Product details

Paperback: 50 pages

Publisher: Independently published (February 2, 2019)

Language: English

ISBN-10: 1795722223

ISBN-13: 978-1795722223

Product Dimensions:

8.2 x 0.1 x 6 inches

Shipping Weight: 4.2 ounces (View shipping rates and policies)

Average Customer Review:

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