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Monday, November 27, 2017

PDF Download Annihilation: Southern Reach Trilogy, Book 1

PDF Download Annihilation: Southern Reach Trilogy, Book 1

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Annihilation: Southern Reach Trilogy, Book 1

Annihilation: Southern Reach Trilogy, Book 1


Annihilation: Southern Reach Trilogy, Book 1


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Annihilation: Southern Reach Trilogy, Book 1

Product details

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Audible Audiobook

Listening Length: 6 hours

Program Type: Audiobook

Version: Unabridged

Publisher: Blackstone Audio, Inc.

Audible.com Release Date: February 4, 2014

Language: English, English

ASIN: B00HYGYN5Q

Amazon Best Sellers Rank:

Annihilation has got to be one of the worst books I have ever read. Nothing was every completely clear as to the reason of Area X, why the Southern Reach kept sending individuals to the area to do what, and what is Southern Reach? Nothing was ever explained or completed. Many questions are left unanswered and one in particular, what is this book about? The characters are very shallow, never given the chance to grow or to delve into them to see who they are. They are not given names, nor what their mission is and why keep going back to the Area X to look for what. It seems like the author took a topic and had to fill 200 pages worth of something but didn't pan out. Where does everyone go and why? Why are the journals thrown into a pile in a deserted lighthouse? Where is this place Area X and what is the moaning? Who cares?? Shallow characters, shallow storyline and shallow writing.There is nothing mysterious about this book as you keep reading you see this book is not worth reading at all. I recommend passing on this one.

TL;DR The book is full of decent and intriguing ideas that are poorly executed. There is no character for the audience to use as an anchor. It takes 160 pages for anything resembling a story to get started.This book is a surprise and mystery if you have never read metaphysical horror before. To see what Annihilation would look like if executed flawlessly, read House of Leaves. The now-commonplace horror elements of humans encountering the utterly foreign and unknowable make up the backbone of the narrative. But whereas it is on glorious and staggering display in Lovecraft, King, amd other giants, here it is reduced to a bizarre oddity that induces head-scratching instead of spine-tingling.The primary reason for this is the clashing styles. The first 160 pages of the book are so sterile and cold that even the strangest things are as interesting as unfinished jigsaw puzzles. The main character, The Biologist, states that this is to provide an objective account of events which necessotate a subjective experience in order to terrify. The last 30 pages are forced to give up the objective description, and only then does Annihilation actually become interesting.The Biologist herself is done great injustice by the first 160 pages. In providing nothing but objective descriptions of events, the author fails to establish her as anything resembling a human being. She is nothing more than a camera lens that requires occasional flashbacks by the author to establish that she has Emotions and these are often at odds with the character as portrayed. The Biologist is a heavy introvert. She eschews people for her work. This is mentioned often and in bold fashion. Yet this person married, for reasons that are never explained beyond "he offsets my introversion". The Biologist is not portrayed as a person interested in the feelings or experiences of others. Why marry?At the end of the book the semblance of a person begins to emerge from the Biologist, but by then the narrative has established her so firmly as a non-presence that her character feels like something the author shoved in when he realized there was no point to which the audience could attach. She is a walking fight between a detached third-person objective lens and a woman who wants to tell her own story. It does not end well for either party.Finally, the book simply starts. No world-building or character history or any point of reference that would be helpful for an audience seeking a way into the story. In theory this plays along with the idea that the characters themselves know little, and are themselves poorly informed. In practice it is disorienting and dull. We know nothing about the state of the world. No baseline is established. Even the characters know more than we do, as is revealed later in the book - well past halfway in. The effect is like waking up to find yourself weightless inside an empty sphere. There is no point of reference and you can only make guesses until someone pops in and tells you what is happening.There are many more small details that add up into a large pile of errors - debunked pop psychology from 1950 paired with hard science, characters that serve no purpose and go nowhere, jarring switches between clinical observation and surrealist prose, a world that is somehow both tantalizingly alien and horribly mundane - but describing those would take much longer.Read a summary on Wikipedia. I guarantee it will be much more cohesive, interesting, and above all much less time-consuming than reading this book.

The best way to begin a review about this novel (and series) is to tell potential customers what it is NOT. I believe the most enlightening way to do this is to compare it to other prominent sci-fi works with which I feel it has some similarities (and with respect to Mr. Vandermeer many differences).This is not a series by Michael Crichton. Although at times I was reminded of various Crichton works such as the Andromeda Strain, Sphere, and even Jurassic Park, Crichton takes painstaking efforts to ground the seemingly fantastical experiences in his stories with a semblance of fictional science. Crichton essentially is a magician who shows you afterwards how the trick was performed. There is no such reveal in this book (or really the series at large). Any sort of explanation (rational or irrational) is left entirely up to the reader. This can be frustrating for many people (including myself) who become engrossed in the plot and would like a finite resolution.This is also not the book Arrival which also deals with potentially extraterrestrial beings, semiotics, and language. Whereas a linguist is the protagonist and narrator of Arrival, the linguist in Annihilation pointedly drops out of the expedition before the novel even begins.What this book is, as many others have pointed out, is similar to Lost or (in my opinion) Prometheus. The writing, especially at the start, is both exciting and compelling. However, each mystery only leads to more mysteries. The main character is interesting if not rather obtuse (as many characters in sci-fi stories are -- if the crew of the Nostromo could follow simple quarantine procedures then the film Alien may have only been 15 minutes long -- but that's beside the point).As a story, it's well written and the plot is intriguing. It borders on sci-fi horror and raises many interesting questions about the human condition. Hence the 3 stars. But the lack of exposition holds it back.

I read all three books in this trilogy. The premise was interesting but nothing came of it. Lots of character development but very little action and no resolution at the end of three volumes. I am reviewing the first volume because by the time I was certain of the lack of resolution it was too late. Stop before you start unless you enjoy interesting concepts the don’t become stories or end. They just stop.

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Friday, November 24, 2017

Ebook Free

Ebook Free

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Product details

File Size: 1004 KB

Print Length: 332 pages

Page Numbers Source ISBN: 1641770236

Publisher: Encounter Books (January 29, 2019)

Publication Date: January 29, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0795X7JY5

Text-to-Speech:

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Amazon Best Sellers Rank:

#40,801 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Unmasking the Administrative State, is one of the most important books of our time. Having already read books by Philip Hamburger "The Administrative Threat" and Ronald J Pestitto "Woodrow Wilson: Roots of ModernLiberalism" to start with, this book provides a great history of how Progressivism has permeated into the workings of our government. Covering the Philosophy of History and Hegelian Historicism we are able to see howConstitutionalism is being replaced by the Administrative State. I have found this book helpful in understanding why we are at this point in history. This book is a wake up call for those that want to live in a free country. Everyone needs to read this book.

I found this book too wordy by half. Editor must have been on vacation. Some sections seemed to be just a repeat of something already emphasized. Only two sections were interesting: "Roosevelt's or Reagan's America?" and "Trump and the Future of American Politics". It's too bad that, while the thesis of the book is sound, its presentation is too dense. For density try this one: "As a result, the political institutions cannot pursue a common good that must be established by defending the institutional prerogatives that make it possible for the constitutional separation of powers to work on the behalf of the American people." (page 45)

John Marini’s profoundly important and illuminating book explains the intellectual and political background of our strange and discordant times.He weaves together German philosophy of history, sociology, and demographic trends, institutional developments in Congress, the “politics of budget control,” constitutional jurisprudence, the classical teachings of Plato and Aristotle, federalism and separation of powers, and particularly the rise of the bureaucracy as a faction within the government. From this seeming wilderness of topics and ideas, Marini traces a coherent path toward the work’s unifying theme, most succinctly expressed by the book’s editor, Ken Masugi: “the administrative state represents a change in regime, an actual overthrow of the Constitution of 1787.”Marini shows the contrast between the Founders’ intentions and a progressive ideology animated by a radically different conception of human nature and the human good.The book offers little in the way of bumper-sticker slogans. The truths the author teaches would be hard to scrawl on cardboard signs for a rally. But Marini's measured prose has a kind of patient, inexorable, deadly precision—not unlike the precision of a world-class surgeon skillfully removing a particularly advanced and complicated tumor.“If the people are to understand themselves as sovereign,” he explains,” they must reestablish the political authority of the Constitution in a manner that makes it possible to restore the moral ground of civil and religious liberty.” This means taking up the duty to exercise thoughtful and responsible citizenship, informed and enlightened by the complex story he has meticulously uncovered.Professor Marini has devoted a lifetime to understanding and explicating our degraded political culture; the book is a collection of essays written over several decades of close study and careful reflection. Each essay has an integrity or wholeness that allows it to be digested on its own. My suggestion is to read the book slowly. Start with a chapter that catches your interest. You will be sure to learn something new.

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Sunday, November 5, 2017

Free Ebook Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson

Free Ebook Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson

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Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson

Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson


Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson


Free Ebook Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson

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Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson

This exciting edition contains 100 early intermediate selections in their original form, spanning the Baroque period to present day. The repertoire, which includes several minuets, folk dances, character pieces and much more, has been carefully graded and selected for student appeal by editor Lynn Freeman Olson. The comb binding creates a lay-flat book that is perfect for study and performance.

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Product details

Series: Alfred Masterwork Edition: Essential Keyboard Repertoire

Plastic Comb: 144 pages

Publisher: Alfred Music; 2nd ed. edition (November 1993)

Language: English

ISBN-10: 0882848577

ISBN-13: 978-0882848570

Product Dimensions:

9.5 x 0.8 x 12.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#38,505 in Books (See Top 100 in Books)

My piano teacher recommended that I purchase this book and I have started working my way through the pieces. The level is early intermediate and beyond.I like the book very much for a number of reasons. First, the pieces are in their original form and help is provided on how to play the ornaments. Second, the printing is quite large and easy to read.Third, a CD is available and I like to listen first as I begin to read. I purchased the CD separately and it is very high quality as well, with Kim Reilly playing all the pieces in a very professional manner.Fourth, I am trying to sight read some of the easier pieces and this book will certainly help me develop that skill.Fifth, the book is spiral bound and opens (and stays) perfectly on the music desk.Finally, this is completely subjective but I enjoy all the pieces so far.All in all, a great selection and the perfect supplement to any of the classical piano methods you may be using.

Nice volume of classics. Many pieces are easy enough for an early intermediate pianist. The CD that comes with this book is very good quality.

I really enjoyed this book so far. I started learning the piano a few years ago as an adult and a lot of the classical music you are given in training books such as Thompsons is not in the original form. Here it all is and with some effort you can learn to play it. As a Baroque fan I really enjoyed the first part of the book. It is excellent value and well printed and bound. I saw another review here which was very negative - the reviewer didn't like the modern selections. Well, even if you only get 10 or 20 selections you like the book is cheap enough and I quite liked some of the more modern stuff too.

Great songs, lots of simple classical stuff, but challenging enough to keep me interested and working at it. I haven't played thorough any of the contemporary pieces yet.Lots of songs. Most are 1 or 2 pages per song, which I like.I definitely recommend it for an intermediate pianist looking for great sounding classical music to work on.

This is a wonderful album for young pianists. A great selection of classical pieces. Thank you.

Great set of music, wonderful purchase

I've been teaching piano for many years and find this book very useful. It contains many important classic pieces for beginners. Also I send students to piano exams, and there are many pieces which can be used for levels 2,3 and 4.

Excellent choice of repertoire.

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Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson PDF
Essential Keyboard Repertoire: Vol. 1: 100 Early Intermediate Selections in Their Original Form Baroque to Modern (Item 501C), by Lynn Freeman Olson PDF