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Review
"Loaded with first person anecdotes and never-before-seen-photos, this book takes you from the Wing’s beginnings as a World War I charitable organization, to the establishment of the famed Stage Door Canteen during World War II, to the Wing of today that works tirelessly to support theatre on Broadway and all across the United States." (Playbill)Featured in People magazine's "Best Gift Books" December 2018. (People)"O, happy day! Journalist Pacheco, chosen by the American Theatre Wing to steward the compilation of a celebratory text commemorating the centenary of the American theater’s most august organization, has delivered the loveliest valentine to the history of Broadway that any fan could hope for." (Barry X. Miller, Austin Public Library, Library Journal)
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From the Author
American Theatre Wing invests in brave work, supports creative growth, and celebrates excellence to bring diverse stories to our national culture through theater. Founded in 1917 on the eve of America’s entry into World War I by seven emboldened women, American Theatre Wing has spent a century using theater to advance human experience, empathy and cultural growth like never before.
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Product details
Hardcover: 268 pages
Publisher: Graphic Arts Books (August 28, 2018)
Language: English
ISBN-10: 1513261460
ISBN-13: 978-1513261461
Product Dimensions:
10 x 1.5 x 12.5 inches
Shipping Weight: 4.6 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#289,889 in Books (See Top 100 in Books)
Who knew that the American Theater Wing was about more than the Tony awards? Patrick Pacheco has written a gorgeous, wonderful love letter to the love of his life, enlisting his fellow artists to pen their own love letters to the American Theater Wing to celebrate it's 100th birthday. Even if you do not adore the theater as Patrick does, you may enjoy the story of what brave and determined women can achieve in advancing the cause of social justice and equality--before they even had the right to vote. Angela Lansbury, whose first encounter with the American Theater Wing was as a 14-year old refugee from the Blitz in 1939, sets the stage, to be followed by the famous (as well as not-so-famous) sharing their stories. Here's how it all started.As America entered World War I, playwright Rachel Crowther called for every woman with any connection to the theatrical profession to volunteer for the Stage Women's War Relief. They raised a tremendous amount of money (Theda Bara!), performing in hospitals, camps, training stations, service clubs/civic organizations, and battleships.After the war, the organization lapsed and was re-started when World War II broke out. The Stage Door Canteen served all Allied servicemen, regardless of race, which caused it to be threatened with closure and denounced on the Senate floor for "the mongrelization of the races". The response: "Go suck on an egg". It not only stayed open, but sprouted other canteens in other cities, the most famous of which was the Hollywood Canteen. Eleanor Roosevelt noted that the Stage Door Canteen was "the finest of all contributions toward war morale".These women were fierce. Take Margaret Halsey ("The canteen considered that a Negro serviceman who was good enough to die for a white girl was good enough to dance with her.") Here's one of her memos to the volunteer hostesses with regard to dancing with black soldiers:"You unconsciously, but arrogantly, assume that no male Negro can so much as glance at you without wanting to get you with child. The truth is, that while you are an attractive group of young women, there isn't a single one of you who's THAT good."Note that the female volunteers included the likes of Lauren Bacall, Gertrude Lawrence, Katherine Cornell, Tallulah Bankhead, Hazel Scott, Ingrid Bergman, Marlene Dietrich, Katherine Hepburn and Bette Davis, among others. Not all of them were women -- men entertained as well, such as Frank Sinatra, then at the height of his fame.There are so many stories and so little space in a review! Oh, and did I mention the gorgeous photographs! The American Theater Wing has, through its various programs, launched more illustrious careers than you can ever imagine, and it's all geared up to launch more in its next 100 years. As the late, great Joe Masteroff (Cabaret, ex-GI) said, the American Theater wing is many voices, fighting injustice. Get the book, hear the voices, you won't regret it. If, however, the idea of racial equality and social justice makes you a bit queasy, then it's probably not going to be your cup of tea no matter how much you love the theater.
A friend told me about the book before it was released. She said it was going to be great. She says that about all of the books she recommends. This time she was spot on.I have read the book twice cover to cover. You will want to study the beautiful photos and delightful stories of the past 100 years of theater.
“The restless depression which had come to so many of us because of the war gradually was making life—which had been interesting and stimulating—dull and selfish and narrow. It was intolerable to go on with daily routine. It was Dorothy Donnelly’s idea that we must have a workroom or our own, where only women of the theater world worked, and where enthusiasm and success would grow out of comradeship and our understanding of each other and sharing of a common responsibility.†So wrote Rachel Crothers, a playwright and co-founder of the Stage Women’s War Relief, in 1917. That sentiment—comradeship as the answer to national malaise, of discovering a bigger, shared purpose—has eery resonance now. The time could not be better for a book such as this, chronicling the American Theater Wing’s 100 glorious years. Through dozens of stories and striking photographs, the reader is taken on a journey that started with Crothers and other inimitable, inspiring, incomparable women, and continues to this day. The book’s editor, veteran theater journalist Patrick Pacheco, exhaustively researched and interviewed many whose lives were touched over the past ten decades by the American Theater Wing’s spirited ethos. Without giving away too much of the gold—you’ll have to read it for yourself—suffice it to say this timely book gives voice to a history we would all do well to remember. Unity, then as now, is the only way forward.
I love Patrick Pacheco’s book, American Theatre Wing, an Oral History:100 Years, 100 Voices, 100 Million Miracles! This inspiring book celebrates, among others, fierce American women, founding this fine organization when they didn’t even have the right to vote! These were strong, intuitive, compassionate and patriotic women who sacrificed everything for their love of the theater through two world wars and beyond. As the co-founder of the American Theater Wing, Rachel Crothers (a suffragette and playwright) stated, “the trained imagination of the theater can be used for serving humanity in more ways than entertainment.†One of my favorite aspects of the book is that it brings attention to both the poor and unheralded artists as well as the very famous—like Angela Lansbury, Patti LuPone, Rosie O’Donnell, Neil Patrick Harris and Lin-Manuel Miranda. The very nature of the Wing’s impactful programs is to nurture theatrical talent in marginal, poor and under-served communities. This book salutes Audra McDonald as a six-time Tony Award winner but on the next page, it touts the achievements of a poor struggling theater in inner city Chicago. The photos alone are a historical treasure but its the voices, all 100 plus, that resonate with insight, inspiration and humor. The American Theater Wing and their incredible mission has impacted our country in more ways than I ever imagined! Bravo Patrick Pacheco!
I love this book. At first glance, it's an amazing array of photos in a coffee table book setting. However, reading through it, it's a book about American History and how several amazing Women just happen to use their role in American theatre to champion soldiers, veterans, students, and much more. It's also a book you can come back to and read more.
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