Get Free Ebook The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition
Well, in regard to this problem, what kind of publication do you require currently? This The Elements Of Typographic Style: Version 4.0: 20th Anniversary Edition It's truly wow! We are likewise including the collection of this book soft documents right here. It is not kind of thing by coincidence. This is the result of your initiative to always follow what we provide. By locating the book in this website it shows that we constantly provide the books that you very require so much.
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition
Get Free Ebook The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition
Waiting to an enhanced ideas and minds are a must. It is not only done by the people who have huge tasks. That's additionally not only conducted by the students or income earners in solving their obligations troubles. Everybody has very same chance to seek as well as look forward for their life. Enhancing the minds and ideas for much better lifestyle is a must. When you have actually decided the ways of how you obtain the troubles as well as take the fixing, you should need reflections as well as motivations.
The visibility of this book is not only acknowledged by the people in the country. Numerous cultures from outside nations will additionally love this book as the reading source. The fascinating topic and classic subject turn into one of the all needs to manage reading this book. The Elements Of Typographic Style: Version 4.0: 20th Anniversary Edition also comes with the fascinating product packaging starting from the cover layout and also its title, how the author brings the viewers to obtain into words, and also exactly how the author tells the content attractively.
You may not feel that this book will be as vital as you think now, however are you certain? Discover more about The Elements Of Typographic Style: Version 4.0: 20th Anniversary Edition and you can really locate the benefits of reading this publication. The supplied soft data publication of this title will certainly offer the fantastic circumstance. Also reading is only leisure activity; you could begin to be success b this book. Believe more in evaluating the books. You may not judge that it's important or otherwise now. Read this publication in soft documents and obtain the ways of you to save it.
To get guide to read, as just what your pals do, you need to check out the link of guide page in this web site. The link will certainly demonstrate how you will obtain the The Elements Of Typographic Style: Version 4.0: 20th Anniversary Edition However, guide in soft file will certainly be likewise very easy to check out every time. You can take it into the gadget or computer unit. So, you can really feel so very easy to conquer exactly what phone call as fantastic reading experience.
Review
"A classic in the field." — Library Journal
Read more
About the Author
Robert Bringhurst is a poet, typographer, linguist, critic, designer, translator, teacher, and cultural historian. He has published more than thirty books, eighteen of them books of poetry. His book, The Black Canoe, a study of Bill Reid’s sculpture, is a classic of Native American art history and his book The Elements of Typographic Style is considered the “bible” for typographers the world over. In Canada, Bringhurst is best known for his groundbreaking study of Native Canadian oral literature, A Story As Sharp as a Knife: The Classical Haida Mythtellers and Their World (1999), a work that startled many readers and sparked intense academic and public debate. Two volumes of translation from classical Haida complete the trilogy: Nine Visits to the Mythworld and Being In Being. In 2004, the trilogy earned Bringhurst the Edward Sapir Prize, awarded by the Society for Linguistic Anthropology. Among his more recent books of poetry is Ursa Major (2003), a multilingual work in which characters tell simultaneous stories in English, Latin, Greek, and Cree.Born in Los Angeles in 1946, Robert Bringhurst was brought to Canada at the age of five, raised largely in Alberta, and has lived and worked in British Columbia since 1973. He currently lives near Heriot Bay on Quadra Island.
Read more
Product details
Paperback: 382 pages
Publisher: Hartley and Marks Publishers; Fourth edition (January 15, 2013)
Language: English
ISBN-10: 9780881792126
ISBN-13: 978-0881792126
ASIN: 0881792128
Product Dimensions:
5.5 x 1 x 9.2 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
204 customer reviews
Amazon Best Sellers Rank:
#36,103 in Books (See Top 100 in Books)
10/12 Minion on laid paper that is more transparent than it should be was not a great choice. This is the first book in a long while to make me go hunting for reading glasses. The transparency of the paper, the watermark lines, and the general layout combine to create strange variations in contrast that make reading difficult.Bringhurst says (on page 195) that "The type cannot be chosen without coming to some decision about the kind of paper it will be printed on, and cannot look right in the end if that decision is later betrayed." His example is about proportions, but transparency and style ask similar questions. Perhaps he was betrayed in this printing?The book is mostly great, despite a strange lack of history around spaces and punctuation, and occasional hectoring, but an unreadable typography book is a sad thing. (I have version 4.2 (2016).)
Probably the best book on typography and layout ever written. Although highly technical in places, this book's rich content offers material that will be valued by professionals and laypeople alike. The discussion of fonts and spacing is extensive, but the book also offers in-depth analyses of the formatting issues central to the creation of nearly every book.Provided, of course, that readers take time to absorb what Bringhurst offers and skip those parts that don't work for them (which should generally be the case for any book but is especially pertinent for this title). For instance, Bringhurst goes into exhausting detail about perfect proportion, thirds, sixths, and ninths, as well as harmonics, all of which may be Greek (or choose other suitable language) to many readers, while also offering diagrams and illustrations showing the "smoothness" or "disorder" of various layouts. The latter elements should connect with readers emotionally even if the geometric discussion comes up short.Bringhurst's approach is highly technical but also esoteric—he may comment on the tiniest details of a descender for a specific font based on mathematical proportion, then launch into a completely subjective analysis of said descender's emotional impact on readers. Because of this style, many readers may find portions of the text dull or overly abstract; the good news is that, also owing to this nonlinear style, you can just skip forward until you find something interesting, without any loss of continuity. For instance, The font section, with images and detailed descriptions of dozens of oft-used (and some not-so-oft-used) fonts, is a tremendous reference when one is searching for a font for a specific purpose such as page-count reduction or extensive glyphs.Bringhurst is a genius, and in spots he conveys information about layout and formatting that at first appears paradoxical or at odds with conventional thinking. In other places, as noted by another reviewer, he appears to suffer from the typical inability of geniuses to convey content to a broader audience. Despite that flaw, I considered much of that content to be a bonus because of its mere presence in the book, and for that reason I gave it five stars. Nothing else out there comes even close. And yes, the book itself is laid out perfectly.All in all, what this book lacks in readability it makes up for with the extensiveness of its content, providing information that can be used both by professionals and by those with no preexisting knowledge of typography.
Some years ago, when PageMaker was the gold standard of computer page layout, I knew something about typography. Or I thought I did. When, in preparation for putting my own writings out in book form, I revisited typefaces and all related matters, I realized I had known little and now knew less. But after reading this book, I am, if not fully informed, much better informed, and ready to give the world my golden thoughts in the form of paper and ink!This book concisely, but completely, covers all relevant topics. The writing is superb. The illustrations are cogent, helpful, and extremely well done. No attempt is made to claim that aesthetic choices are relative. Specific guidelines and rules are provided, along with crisp statements of their rationales. Examples of all key typefaces are provided, precisely and helpfully organized. International symbols and characters are covered. I cannot think of any relevant topic that is not completely covered.You don’t need to read this book cover-to-cover, though I did. You can easily get from it some narrow bit of information critical to your needs. Or you can use it to generally educate yourself. Or, like me, you can get a grasp of options and choices you need to make if you want to present your writings the best way possible. Unless you are a total philistine, you can’t go wrong buying this book.
This is a book that really helped pique my interest in typography back when the first edition was published. I was actually looking to buy Bringhurst's forthcoming book about Palatino, but did not find it on the Amazon site. This was a first for me. Not finding anything on Amazon. I was able to order the Bringhurst book directly from the Book Club of California. I liked Elements enough that when I noticed the forthcoming title, I looked to buy it. Robert Bringhurst is also a published poet, by the way. I find that writers with strong backgrounds in poetry tend to write well and seem to love words and type as much as I do. I bought this 20th anniversary edition to back up my wearing out early edition.
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition PDF
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition EPub
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition Doc
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition iBooks
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition rtf
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition Mobipocket
The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition Kindle
0 comments:
Post a Comment